If that includes the scapula, ribs and humerus joint as one hinge I would agree.
You mention the primary assembly unit working at one RPM.But it has to match with the PIVOT RPM. There is no use swinging the arms if it's not in synch with the body.
The "connection" in a physical sense to the PIVOT is through the left scapula and ribcage.
Bernt,
Agree that clubhead is moving at a different rate than than shoulder, different from the wrist and different from the pivot.
RPM is speed and a measurement of tempo not rhythm. Rhythm as you correctly describe is the pattern each part of the machine's rpm's blending together.
Drew do you know the origins of this drill? Vardon , Mehlhorn, MacDonald ......it sure works who ever it was.
Ginger Rogers?
Although Vardon came before Mehlhorn (who I got to work with briefly) and Macdonald, both Mehlhorn and Macdonald incorporated them effectively into their teching. the origin is lost in the mist of time.
__________________
Drew
Let Your Motion Make the Shot.
Last edited by drewitgolf : 01-13-2011 at 09:47 PM.
Reason: title was surpose to say "Drilling for Gold"
Lynn's video is very good at describing the rhythm and the hinge action in chipping. I like the analogy of the merry-go-round. In the chipping the slowest RPM would be the left shoulder and fast RPM would be the clubhead.
I believe the full swing is a different animal.
The full swing requires a good pivot, the torso has the slowest RPM, slower than the left shoulder, and thus should be the regulator of the total speed(tempo) of the swing. Just like the drummer of a band dictates the speed of play the other band members.
I believe the initiation of the swing, would be better of at the core perhaps the pelvis turn, maybe the shoulder blades and rotation of shoulders , or the head turn. This would keep the swing motion in rhythm.